Finbarr B. Flood. Objects of Translation: Material Culture and Medieval “Hindu-Muslim” Encounter

Brass,Hindu-Muslim Violence

the investigation of the relationship between type a and type b personalities and quality of translation

چکیده ندارد.

FINBARR B. FLOOD Animal, Vegetal, and Mineral: Ambiguity and Efficacy in the Nishapur Wall Paintings

A series of enigmatic ninthor tenth-century wall paintings from Nishapur in eastern Iran seems to have been imbued with amuletic, apotropaic, or talismanic properties. Recapitulating while exaggerating some of the properties of marble, the paintings also include anthropomorphic and vegetal imagery. Their idiosyncratic iconography seems to highlight a tension between physis and technē that may b...

Porcine and bovine surgical products: Jewish, Muslim, and Hindu perspectives.

OBJECTIVE To determine the acceptability of porcine and bovine surgical implants among persons of Jewish, Muslim, and Hindu faiths whose beliefs prohibit them from consuming porcine and bovine products. DATA SOURCES An evaluation of current literature concerning religious beliefs among persons of Jewish, Muslim, and Hindu faiths was undertaken to determine if animal-derived surgical implants ...

page translation and stage translation of drama texts

نمایشنامه به پیروی از ماهیت دوگانه اش، کارکردی دوگانه به خود می گیرد، بدین معنا که در هر دو نظام ادبی و تئاتری می تواند کارکردی مختص به خود یابد. هدف از انجام این پژوهش یافتن تفاوت ها میان ترجمه صفحه و ترجمه صحنه است.. پرسش مطرح شده عبارتست از: بر اساس مدل ارائه شده توسط لدوسر (1995)، تفاوت های ترجمه صفحه و ترجمه صحنه در چیست؟ یافته های این پژوهش حاکی از آن است که ترجمه صفحه به نمایشنامه ا...